All Good Things (2010) 720p YIFY Movie

All Good Things (2010)

All Good Things is a movie starring Ryan Gosling, Kirsten Dunst, and Frank Langella. Mr. David Marks was suspected but never tried for killing his wife Katie who disappeared in 1982, but the truth is eventually revealed.

IMDB: 6.34 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 1.22G
  • Resolution: / fps
  • Language: English
  • Run Time: 101
  • IMDB Rating: 6.3/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 11

The Synopsis for All Good Things (2010) 720p

A love story and murder mystery based on the most notorious unsolved murder case in New York history. The original screenplay uses newly discovered facts, court records and speculation as the foundation for a story of family, obsession, love and loss.


The Director and Players for All Good Things (2010) 720p

[Director]Andrew Jarecki
[Role:]Lily Rabe
[Role:]Frank Langella
[Role:]Ryan Gosling
[Role:]Kirsten Dunst


The Reviews for All Good Things (2010) 720p


ExcellentReviewed byrozinantebv-1Vote: 10/10

What a great, creepy story. This film falls under 'truth is stranger than fiction' and slips right at the top of that genre. Best film of the year. Great acting, Excellent Direction.

Andrew Jarecki took a fascinating story and made it into a great film, slipping it just under your skin; where you may find it hard to scratch away after viewing. All Good Things is an experience, its amazing how this story comes to life through under the umbrella of Andrew Jarecki and his team.

Like Wynn Thomas, the production designer/Art Director who's team put us right smack into 70's New York. There is no question of where you are; all details between dirt and sky are early 70's like a Space/Time blizzard came and left everything in Vanderbilt jeans, Hals ton Tops; covering Times Square in sleaze and tight tank tops for fat guys in pastel leisure suits. This is not the swinging Studio 56, 70's; but the creepy, Times Square Porn theatres, Taxi Driver, Son of Sam, 70's; Dark and strange, where wealthy and powerful New Yorkers, Civil servants and Leisure suited Larrys' live under their own rules and law.

Like Marcus Hinchly and Marc Smerling, the writers who took a big twisted story one may have read in Vanity Fair on hot Southampton summer beach; unraveled into a clear and coherent, cliché' free film; strung together with clever dialogue and cleverly created a non- narrator, narration, through the POV of a court room character brief / testimony.

Frank Langella, who, with one look at an empty chair, early on in the movie, could have stolen the film outright , had it not been for for the careful editing of David Rodenbloom and Shelby Seigel, under Jarecki's umbrella; making sure the film, which is not about his character, Sanford Marks, remains that way, true to the story.

Langella brings weight to every frame he's in; his charisma so apparent, it's not his fault really, that he commands every scene he's in, stealing the viewer's attention from what may be going on in the frame. (see The Ninth Gate or Frost /Nixon) - "it's 39.50 each, that includes a very generous tip" -

The Father and son subtext; combined with the functional madness of real life Durst ({David Marks]) played by Ryan Gosling as you've never seen him) is so very strange and un-nerving, it may make you shudder knowing that people like this exist all around you; everywhere you go, all the time.

Kristen Dunst, shows her range in this film. This is not your friendly Spiderman love interest, but a woman pushed emotionally to her frayed ends, where, in one near silent dinner scene, she, with great countenance, shows us how she can move from a woman trying to salvage what she can from her relationship - to great disgust; sadness, fear, and hurt all on one look; all in reaction from a single line slung at her by Gosling's 'Durst'.

We watch as the light Kristen Dunst brings to every role she plays, drains away into the black hole of Durst (Gosling/Marks) until she becomes a paranoid wreck; and rightfully so. Not every actress can do this, we take her for granted as an actress, but in thanks to Jarecki's direction we get to see what a truly great actress can do.

Philip Baker Hall in the last third of the film is a treat to watch as he plays a strange homoerotic vet who befriends Gosling who at this point, has succumbed to his madness, but like a functioning alcoholic. Gosling as Durst, plays/wears his aberrations as the straight man in a twisted comedy duo.

Kristen Wiig shines here, proving her talent stretches way past just comedy straight into the world of excellent dramatic acting (be careful you may develop a crush on her) "eat your salad"

Jarecki shows us much, in All Good Things; the breakdown of a marriage, the strained relations of a father and son, wealth and its trapping, but more intriguingly, how a seemingly 'normal' man can hide the sociopathic madman inside, carefully, while unbeknownst to us, can live a functional and, again, subjectively 'normal' life. - In a world where there is a law (in Texas of course) where "improper disposal of a body" can get you a fine and/or 6 months in jail.

What you may find most terrifying is that these people are all around us, they shop where we shop, eat at the same restaurants wear the same clothes; you've probably met a functional lunatic many times in your life. Although we may hide behind the great illusion and lie to ourselves that they are few and far between; that all murders and madmen eventually get caught and put far away from our children, friends and familys', yet Jarecki and his team show that this great conceit of ours, is totally wrong, just another lie we tell ourselves as we sign our lease's, leave our tips, show the bouncer our ID's, and run around central park in the evenings to avoid the crowds.

All Good Things, Directed by Andrew Jarecki, shows this to us in a film that you may need to to see a few more times to get all the brilliant subtleties, and top star acting.

Reviewed byval broeksmitVote: 10/10/10

What a great, creepy story. This film falls under 'truth is strangerthan fiction' and slips right at the top of that genre. Best film ofthe year. Great acting, Excellent Direction.

Andrew Jarecki took a fascinating story and made it into a great film,slipping it just under your skin; where you may find it hard to scratchaway after viewing. All Good Things is an experience, its amazing howthis story comes to life through under the umbrella of Andrew Jareckiand his team.

Like Wynn Thomas, the production designer/Art Director who's team putus right smack into 70's New York. There is no question of where youare; all details between dirt and sky are early 70's like a Space/Timeblizzard came and left everything in Vanderbilt jeans, Hals ton Tops;covering Times Square in sleaze and tight tank tops for fat guys inpastel leisure suits. This is not the swinging Studio 56, 70's; but thecreepy, Times Square Porn theatres, Taxi Driver, Son of Sam, 70's; Darkand strange, where wealthy and powerful New Yorkers, Civil servants andLeisure suited Larrys' live under their own rules and law.

Like Marcus Hinchly and Marc Smerling, the writers who took a bigtwisted story one may have read in Vanity Fair on hot Southamptonsummer beach; unraveled into a clear and coherent, cliché' free film;strung together with clever dialogue and cleverly created a non-narrator, narration, through the POV of a court room character brief /testimony.

Frank Langella, who, with one look at an empty chair, early on in themovie, could have stolen the film outright , had it not been for forthe careful editing of David Rodenbloom and Shelby Seigel, underJarecki's umbrella; making sure the film, which is not about hischaracter, Sanford Marks, remains that way, true to the story.

Langella brings weight to every frame he's in; his charisma soapparent, it's not his fault really, that he commands every scene he'sin, stealing the viewer's attention from what may be going on in theframe. (see The Ninth Gate or Frost /Nixon) - "it's 39.50 each, thatincludes a very generous tip" -

The Father and son subtext; combined with the functional madness ofreal life Durst ({David Marks]) played by Ryan Gosling as you've neverseen him) is so very strange and un-nerving, it may make you shudderknowing that people like this exist all around you; everywhere you go,all the time.

Kristen Dunst, shows her range in this film. This is not your friendlySpiderman love interest, but a woman pushed emotionally to her frayedends, where, in one near silent dinner scene, she, with greatcountenance, shows us how she can move from a woman trying to salvagewhat she can from her relationship - to great disgust; sadness, fear,and hurt all on one look; all in reaction from a single line slung ather by Gosling's 'Durst'.

We watch as the light Kristen Dunst brings to every role she plays,drains away into the black hole of Durst (Gosling/Marks) until shebecomes a paranoid wreck; and rightfully so. Not every actress can dothis, we take her for granted as an actress, but in thanks to Jarecki'sdirection we get to see what a truly great actress can do.

Philip Baker Hall in the last third of the film is a treat to watch ashe plays a strange homoerotic vet who befriends Gosling who at thispoint, has succumbed to his madness, but like a functioning alcoholic.Gosling as Durst, plays/wears his aberrations as the straight man in atwisted comedy duo.

Kristen Wiig shines here, proving her talent stretches way past justcomedy straight into the world of excellent dramatic acting (be carefulyou may develop a crush on her) "eat your salad"

Jarecki shows us much, in All Good Things; the breakdown of a marriage,the strained relations of a father and son, wealth and its trapping,but more intriguingly, how a seemingly 'normal' man can hide thesociopathic madman inside, carefully, while unbeknownst to us, can livea functional and, again, subjectively 'normal' life. - In a world wherethere is a law (in Texas of course) where "improper disposal of a body"can get you a fine and/or 6 months in jail.

What you may find most terrifying is that these people are all aroundus, they shop where we shop, eat at the same restaurants wear the sameclothes; you've probably met a functional lunatic many times in yourlife. Although we may hide behind the great illusion and lie toourselves that they are few and far between; that all murders andmadmen eventually get caught and put far away from our children,friends and familys', yet Jarecki and his team show that this greatconceit of ours, is totally wrong, just another lie we tell ourselvesas we sign our lease's, leave our tips, show the bouncer our ID's, andrun around central park in the evenings to avoid the crowds.

All Good Things, Directed by Andrew Jarecki, shows this to us in a filmthat you may need to to see a few more times to get all the brilliantsubtleties, and top star acting.

Reviewed bySiamoisVote: 6/10/10

The dysfunctional family of David Marks appears to have scarred him.His mother's death at a young age seems to haunt him. He is the eldestson of a shady, demanding real estate mogul and seems uncomfortablefollowing in his father's footstep and getting involved in thisfinancial empire. He seems bored, disconnected. One day he meets KatieMcCarthy, a sunny and enthusiastic young woman. The story, taking placeover several decades, explores their growing relationship and how theweight of David's dark legacy makes it all spiral down.

Andrew Jarecki is better known for the well-received Capturing theFriedmans. This is his first full-feature film and he tackles adifficult project but in many respect, this seems a logicalcontinuation. His past as a documentary maker serves him well, sinceAll Good Things is based on a real story. And much like "Friedmans",once again this is about very scary, dark characters. Jarecki'sdirection is mostly slick and simple, relying on a script and also anamazing cast

It is David who narrates the story, yet things are kept enigmatic andviewers have to reach certain conclusions. There is an economy indialogue but everything is put in place for you to have a good idea ofwhat is going on in Marks' life. There's something really powerful yetunderstated about how David inherited of traits both from his motherand his father, pulling him down. Many people have described the filmas a sort of mix of romance and mystery, which is accurate. There arealmost noir elements to the film.

What is most remarkable about the film by far is the cast. Ryan Goslingcontinues his ascension as one of the best actors working today.Kirsten Dunst shows why she has become kind of underrated in a verydifficult role. They both play every single emotion perfectly and mustuse a lot of range and in very few words, we get their characters.Frank Langella as the father steals almost every scene he is in. Thisis an actor who always took his craft seriously but seems to be gettingeven better as of late. People talk about the chemistry between Dunstand Gosling but I was amazed by Langella and how he made these twoactors better in every scene he was with them. Philip Baker Hall isanother veteran who shines here in a smaller role later in the film.It's not easy establishing your character with little screen time buthe pulls it. The rest of the supporting cast is excellent. Reallystrong point (and good for Jarecki, a guy used to film real people andnot actors).

Where the film is a little less successful is in drawing the audiencein. We feel sometimes as emotionally disconnected from these charactersas David and Sanford Marks themselves. Jarecki is almost clinical inhis approach. The romance never lifts up and so, the mystery grabs theaudience a little less. Visually, the film also ends up a mix bag ofmore naturalistic shots and weird artsy attempts. There are abruptflashbacks and forwards that make for an uneven pace and a lessengaging experience.

Overall, this is still an interesting take based on a fascinatingreal-life mystery and a rewarding film if you are patient.

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