'American Psycho' is NOT a slasher movie. It is a depiction, a fantasy if you will, of the life of modern man and his place in society. Nothing is enough. Money, sex, social stature, there is always someone else who has more and everyone else expect from you to try harder for even more. This movie is about eliminating competition the easy way. By killing your opponents. By eating your sexual partners. By destroying everyone around you. 'American Psycho' retains the balance between this psychotic state, a chilling thriller and a very funny movie. The scenes that show Patrick playing music for his guests are absolutely hilarious, as he comments very seriously on records by artists such as Whitney Houston, Phil Collins and Huey Lewis & the News. The funny thing is that he chooses the most commercial or sold out records of these artists, to explain how much better they are compared to their previous, more artistic work. Another message of the state of the receivers of commercial art. You can analyze 'American Psycho' for hours. It can be perceived both as a deep and a fun movie. Even if you don't like the story, you will love Christian Bale's excellent performance. Enjoy. 10/10
American Psycho (2000) 1080p YIFY Movie
American Psycho (2000) 1080p
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
IMDB: 7.646 Likes
The Synopsis for American Psycho (2000) 1080p
Patrick Bateman, a young, well to do man working on wall street at his father's company kills for no reason at all. As his life progresses his hatred for the world becomes more and more intense.
The Director and Players for American Psycho (2000) 1080p
The Reviews for American Psycho (2000) 1080p
You can always look thinnerReviewed byTasos Tz.Vote: 10/10
AMERICAN PSYCHO / (2000) **** (out of four) Patrick Bateman: I think my mask of sanity is about to slip. ---"American Psycho" The average filmmaker would turn "American Psycho" into an exploitative slasher flick, but Mary Harron and Guinevere Turner have adapted the controversial novel by Bret Easton Ellis into something unique and intriguing, a brilliant, thought-provoking social commentary thriller. Readers criticized the decade old novel because of its graphic violence, but that doesn't cause Turner and Harron to give into the controversial material. I have never read the book, but after watching "American Psycho," I intend to. It's a scathing, rare film that probes our imagination and beliefs while experimenting with true psychological terror. It often makes startling switches between scenes of dark comedy and sequences that portray unsettling, graphic images. Director Mary Harron says in the film's press notes that she wanted all but one of the violent sequences to be disturbing. The amount of blood and violence here is certainly extreme, but considering the nature of the beast, not overly abundant. The film calculates every single act of violence, therefore, the victims are seldom random characters, but people we care about, which is why the scenes are so timely and effective. The best description of the film's main character, Patrick Bateman (Christian Bale) comes from Christopher Lehmann-Houpt of The New York Times. "Patrick Bateman lives in a morally flat world in which clothes have more value than skin, objects are worth more than bones, and the human soul is something to be sought with knives and hatchets and drills." Both leading actors in "American Psycho" have previously portrayed Jesus Christ, Willem Dafoe in "The Last Temptation of Christ," and Christian Bale in "Mary, Mother of Jesus." Talk about versatility. It's probably not a coincidence that Christian Bale was the initial actor of preference for Mary Harron. If an actor can display such a fascinating performance as Jesus Christ, he's more than capable of playing a psychotic serial killer because he already knows the other side of the moral spectrum. Through the strong central character, "American Psycho" suggests several themes about the 1980's, including society's obsession with outer perfection, conformity, the rising threshold of material fetishism, and the strong desire of stimulation by drugs, sex, money, and power. Patrick Bateman isn't given a back story, however, and the movie doesn't offer his personal history. Bateman has no inside emotions. He reacts by inner impulse alone. He seeks gratification through the sex and drugs, but also by engaging in the homicidal behavior. "You could describe ?American Psycho' as a film about perfect surfaces and what might be lurking beneath," says Mary Harron. "Inside, Bateman might want it all to stop, but for him it's a compulsion. He's like the serial killer in M, who says: ?You have a choice, but I can't help what I am.'" "American Psycho" initially earned an NC-17 rating, not because of the violence but because of the graphic sexual content. The director's cut is available on videocassette and DVD, which shows the film's three-way sex scene in more disturbing, yet innovative, detail. That's a good thing, if you're not a sensitive viewer, because this film is all about details. The production design, the cinematography, the visual effects, the engaging soundtrack, the quirks each actor masterfully incorporates with their character, and every other aspect of the film is flush in detail. This is a movie that requires more than one viewing, to experience the surreal visual arena, and to justify what we think actually happened. Perplexingly, the film's conclusion puts the events into question. Did Bateman really kill these people, or did he just really want to? The answers don't come easy, but this is a movie that begs us to look closer?
In 1991, Bret Easton Ellis' controversial novel "American Psycho" took the world by storm ? women accused it of being misogynist, sexist filth and others were understandably shaken by its brutal and graphic depictions of unprovoked violence and torture. Set in the 1980s, the book follows the story of a 27-year-old Harvard graduate named Patrick Bateman, who goes on a killing spree and murders "twenty, maybe forty people." It was originally slated for circulation in 1990, but Random House pulled out of distribution, fearing backlash. It was later released as part of a Vintage Series, and quickly sold over 250,000 copies, becoming one of the most popular (and, to some, important) literary works of our time. In the movie, Welsh actor Christian Bale portrays Bateman gleefully tongue-in-cheek, whether it's confessing to manslaughter over the phone ("?I just had to kill a lot of people!") or dancing to Huey Lewis and the News' "Fore" album before hitting an associate over the head with an axe. Patrick is a troubled guy. On the surface, he appears to be normal ? he's a Wall Street broker with a secretary, an expensive apartment suite, his own limo and a fancy business card. But on the inside, he's a monster ? complete with an insatiable blood lust and lack of empathy for fellow human beings. (If he can indeed be classified as one.) As a film and a novel, "American Psycho" is an attack on the absurdities of the '80s yuppie era ? sometimes the satire isn't very subtle, in fact it's often made very clear, but I liked it. Because the movie is so eccentric and over-the-top, and Bale is so loony and maniacal, the satire needs to be equally strong ? and it is. Whether it's business men drooling over each other's fetishistic business cards or Patrick discussing the nuances of modern pop music before killing more victims, "American Psycho" hits strong and hard ? this is a great, overwhelming cinematic and visual experience. It cannot be condemned for being unsubtle ? it never was. The performances are wonderful. Bale is superb as Bateman, totally embodying the character. As a man bewildered by his environment, and wanting only desperately to fit in, Bateman listens to Genesis and "Hip to Be Square"; finally we have proof that too much Phil Collins and Huey Lewis will turn you into the next Ed Gein. Perhaps some fans of the novel will dislike Bale's performance (at times, it almost seems comical, such as when he murders his coworker Paul Allen, played by Jared Leto). But I thought it was the perfect mix of introspection, self-hatred, outer-loathing, lust, conformity and schizophrenia. Bale manages to capture all of this perfectly, and by the end of the film, I could not imagine anyone else in the role. Willem Dafoe, Chloe Sevigny and Reese Witherspoon all have co-starring roles, but at the end of the day it is Bale who really drives this film home ? he's the reason it's worth seeing, and in part the reason it exceeds beyond the typical restraints of its genre. Since its release, many critics have accused "American Psycho" of being a watered-down version of the book, being both "politically correct" and "lacking satire." However, I don't recall the last time I saw a man beat a dog to death with the heel of his shoe in a mainstream motion picture. Or chase after a prostitute completely naked, wielding a bloodied chainsaw. Or hold a gun to a cat's head and threaten to feed it to an ATM machine. In fact, when "American Psycho" was previewed before the Motion Picture Association of America, they gave it an NC-17 rating ? not for its violence, as one might expect, but rather for its threesome scene between Patrick and two prostitutes. Director Mary Harron cut footage from the film and finally managed to achieve an R-rating, but on a new "Uncut Killer Collector's Edition" DVD, you can see the film as it was intended to be seen ? and it's a real fine treat. Now excuse me, I have to go return some videotapes.