Bullitt (1968) 1080p YIFY Movie

Bullitt (1968) 1080p

Bullitt is a movie starring Steve McQueen, Jacqueline Bisset, and Robert Vaughn. An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.

IMDB: 7.56 Likes

  • Genre: Action | Crime
  • Quality: 1080p
  • Size: 2.17G
  • Resolution: / fps
  • Language: English
  • Run Time: 113
  • IMDB Rating: 7.5/10 
  • MPR: Normal
  • Peers/Seeds: 2 / 8

The Synopsis for Bullitt (1968) 1080p

High profile San Francisco Police Lieutenant Frank Bullitt is asked personally by ambitious Walter Chalmers, who is in town to hold a US Senate subcommittee hearing on organized crime, to guard Johnny Ross, a Chicago based mobster who is about to turn evidence against the organization at the hearing. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Bullitt and his team of Sergeant Delgetti and Detective Carl Stanton have Ross in protective custody for 48 hours over the weekend until Ross provides his testimony that upcoming Monday. Bullitt's immediate superior, Captain Samuel Bennet, gives Bullitt full authority to lead the case, no questions asked for any move Bullitt makes. When an incident occurs early during their watch, Bullitt is certain that Ross and/or Chalmers are not telling them the full story to protect Ross properly. Without telling Bennet or an incensed Chalmers, Bullitt clandestinely moves Ross while he tries to find out who is after ...


The Director and Players for Bullitt (1968) 1080p

[Director]Peter Yates
[Role:]Steve McQueen
[Role:]Robert Vaughn
[Role:]Don Gordon
[Role:]Jacqueline Bisset


The Reviews for Bullitt (1968) 1080p


A Bullitt For SteveReviewed bysol1218Vote: 9/10

*****SPOILERS****** Even though the movie "Bullitt" is known for it's legendary car chase scene, this in 1968 when everything was done for real not in a studio with computer enhanced imagery, the movie is also a very fine crime/drama straight out of todays headlines and has a very good and brainy plot too.

Senator Walter Chalmers is holding a special Senate Commission on Organized Crime in America in San Francisco and has a very important witness Johnny Ross, Pat Renella, coming from Chicago to testify. Chalmers Wants to make sure that Ross is protected from the mob who beside testifying against it has also stolen $2,000,000.00 dollars from them and they want him dead and will go to any lengths to get him.

Ross is assigned a unit from the SFPD headed by Let. Frank Bullitt, Steve McQueen, for around the clock protection at an undisclosed hotel. Just before Ross entered the hotel he made a number of Phone calls one was to a hotel in San Mateo Calif. Later back in his hotel room with Sgt. Stanton, Carl Reindel guarding him Ross slides open the lock on the door and just then two men enter the hotel room and blast both Ross and Sgt. Stanton away; at the hospital Sgt. Stanton survives but Ross dies on the operating table.

Let. Bullitt wisely decides to keep Ross' death secret from Senator Chalmers as well as the media by having Ross' body put on ice in the hospital morgue, unidentified, under a John Doe. With Ross' death kept under cover Let. Bullitt checks out Ross' phone calls, before he entered the hotel room, and finds that the call to the San Mateo hotel was to a woman who registered under the named of Dorothy Simmons. With the Senate Commission hearing the next day Bullitt begins to realize that this dead hood Johnny Ross may not the person that he seems to be.

As Let. Bullitt gets closer to the truth about the whole Ross business his life becomes endangered by the two killers, Paul Genge and Bill Hickman, who killed Johnny Ross in his hotel room. This sets the scene for the thrilling and exciting car chase that the movie is noted for. Setting him up for an ambush on a deserted San Francisco street Bullitt turns the tables on the killers by backtracking and then surprises and chases them into a hot corner. We have the two killers and Let. Bullitt flooring the gas peddle and tearing up the roads and highway in and around San Francisco and the Bay Area. The exciting car chase comes to an end when, after trying to shoot at Bullitt's car with a shotgun, the killers auto loses control and smashes into a gas station with both of the killers ending dead and burned to a crisp .

Back at the police station Bullitt starts to check out the mysterious Mrs. Simmons, the woman who Ross called before he was killed, at her hotel room in San Mateo and finds her murdered. Looking at Mrs. Simmons' luggage Let. Bullitt and the police find out that she was really a Mrs. Renick and was scheduled to leave San Francisco ,with her husband Edward, on a plane trip to Italy? whats going on here?

Checking Mrs.Renick aka Simmons husbands passport photo Bullitt realizes that Johnny Ross who was killed at the hotel room was really her husband Edward Renick a car dealer from Chicago with no mob connections. Renick must have been paid off by the real Johnny Ross, Felice Orlandi, to impersonate him with Ross taking Renick's passport and identity and checking out of the country and away from the law and the mob who were both looking for him! Ross must have also double-crossed both Renick and his wife by having them murdered.

With the real Johnny Ross now heading for the San Francisco International Airport to make his getaway Let. Frank Bullitt is the only one who has a chance to stop him and as it gets closer for Ross' flight to take off for Italy the chances of him getting caught are getting slimmer by the minute.

Terrific police/action/drama with an ending at the airport, thats as good as the great car chase seen earlier in the film, that left everyone gasping. Also good in the film is Jackie Bisset as Let. Frank Bullitt's girlfriend Cathy who had trouble accepting Frank's job as a policeman especially by seeing up front and personal, the murdered Mrs. Simmons/Renick, what that job did to him as well as what it was doing to her her by living with him.

The epitome of cool.Reviewed byMartinHaferVote: 7/10

This film begins with perhaps the opening title sequence in film history. The look, the sounds and the titles themselves....all very, very cool. Lalo Schifrin's song is the perfect jazz tune to accompany this and you just know that this movie is something special.

The title character (Steve McQueen) is a Lieutenant with the San Francisco police and he and his partner (Don Gordon) are assigned the task to protect a mob informant. Now considering that this is an action-suspense film, what happens next is no big surprise. However, what was nice is how the film combined realistic looking police work with amazing action and grittiness--like combining Film Noir with and action film as well as a healthy dose of cool. I could say more about the plot, but would rather not--as there are a lot of mystery elements about the film and I'd hate to ruin the surprises and twists.

The most famous part of this film is, of course, the great car chase scene--featuring a Ford Mustang playing 'cat and mouse' with a Dodge Charger up and down the hills of the city. It's a magnificent scene but fortunately there's a lot more to the film than this--it's NOT just this chase but a well-made and intelligent cop film--a very gritty one at that. To make things even better, the film featuring some excellent actors doing their craft in addition to McQueen--such as Robert Vaughn, Simon Oakland and Don Gordon--who I have always thought was an underrated actor.

If you see this film, you may see some parallels with the later Dirty Harry series. Both are set in San Francisco, both feature an undercover cop who hates to play by the rules and both are tough characters. However, McQueen's 'Bullit' is more cool and thoughtful but a lot less intensely angry--and as a result a lot easier to believe...but also a bit less entertaining as he doesn't have all those wonderful Eastwood tag-lines! Personally, I prefer McQueen's style--you may not.

Overall, the film is exceptional--one of the best police films of the era. In fact, I had a hard time deciding whether or not to give it a 9 or 10--and giving any film a 10 is something I very, very rarely do. Why a 10? Well the film has got it all--an interesting plot, great action, terrific tension and a realism that sets it apart from the usual cop film. And, it sure has style to boot. Not surprisingly, this film was very influential and was followed by many police films which were reminiscent of "Bullitt"--such as "The French Connection", "McQ" and, of course, the Dirty Harry films. The only deficits, and they are very, very minor, is that perhaps McQueen is too cool and quiet as well as how inexplicable it is in the airport scene that none of the many, many travelers seem to notice he is holding a gun. You'd think someone would notice and say something! Still, it's a great film from start to finish and it holds up marvelously over time.

Great filmReviewed byDAW-8Vote: 9/10

There were so many great things about this film. You've got to love late 1960s cinematography. Contrary to being even a "typical" cop film of its day, many of the scenes here were shot in such a way as to convey a message to the viewer which goes beyond the plotline itself. The is an "urban" film--numerous scenes reflect the city and the mood of 1968 by occasionally commenting on racial issues of the day (the black doctor who is asked to be replaced), and conspicuous shots of blacks, other minorities (after Ross is shot at the hotel) and hippies, porn shops on the corner, etc. I found the airport tarmac chase scene even better than the car chase, the dwarfing of the characters and deafening din by the jumbo Pan American 747s completely pulls the viewer in as if he or she is right there. There were some other great scenes which could almost stand alone, such as one in a restaurant where a jazz quartet (with flute-nice 1960s touch) is playing. It fades into the next scene in which Steve McQueen is laying in bed the next morning, reminiscing about the mood in that restaurant.

Many people complain about the slowness of the film, and it is slow, and the use of such "pointless" scenes as the one in the restaurant, but I find this is one of the things that makes it so great. It conveys the complexity and mundaneness of everyday life. This is a refreshing contrast to hollywood films which are always action-packed and one-dimensional. This film is a pleasure to watch. You come away from it feeling like you have experienced many things, and you're not sure what all they are.

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