THE HUNGER, unquestionably one of the most impressive stylized filmmaking of its kind. Using such techniques as classical music, and visual storytelling, not to mention the usage of sound as well, this sexy tale of blood, lust, and demonic dealings takes vampires to the next level. Susan Sarandon is struggling medical woman, trying to discover the secrets of natural aging. Bowie and Deneuve are well out as eternal bloodsuckers meeting a tragic end, as Bowie finds himself rotting away, slowly. Once Bowie is out of the picture, Deneuve has her sights on Sarandon(unique love scene between the two). While never failing to deliver well plotted story, this one grows boring at times, to those uneasily interested. Many incidents, which prove affective to some,are often slow and dull to others, perhaps aquired taste best describes the tone for most viewers. Playing more like a tragic drama, the creators catch most attention with an opening to hard to resist. Even the most uninterested cannot turn from the "Bela Lugosi Is Dead" act, as well as Shuberts "Trio In E Flat" oversounding the sad moments bringing the film to an automatic saddness, which never really goes away. Still, always impressive in many other ways, this film might enlighten others who need soap opera-esque escape matters. THE HUNGER may not grace some people, but others will find this one to be very thrilling in different ways. Always give the film a chance before judging too harshly, and THE HUNGER has its own way of getting attention, it got mine.
The Hunger (1983) 1080p YIFY Movie
The Hunger (1983) 1080P
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age...
IMDB: 6.618 Likes
The Synopsis for The Hunger (1983) 1080p
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case with John, so his life expectancy is below 24 hours. Desperately he seeks help from the famous Dr. Sarah Roberts. She doesn't really belive his story, but becomes curious and contacts Miriam ... and gets caught in her ban, too.
The Director and Players for The Hunger (1983) 1080p
The Reviews for The Hunger (1983) 1080p
Sexy vampire noir has boredom written for those of a different tasteReviewed bynarnerbee ([email protected])Vote: 5/10
"The Hunger" opens with the by now familiar Goth anthem "Bela Lugosi's Dead" by Bauhaus. Not a bad way to open a vampire film, though nowadays it would seem almost a parody. "Undead undead undead" indeed. Enter Cathy and Bowie into a slick, sleek, neon nightclub, filled to the rafters with post-punks & pre-Goths playing dead. Too bad they weren't as ready for the real thing as they thought they were. You see, Cathy and Bowie are vampires. This is a visually stunning film, making up for in effects what it sometimes lacks in coherence. It seems that lovely, immortal Cathy, called Miriam, is a vampire queen who has been around since the Sphinx was built, apparently. Bowie is her consort, a once mortal man whose two hundred-odd year lifespan is suddenly winding down at a frighteningly rapid rate. Desperate to find a cure, he seeks out scientist Susan Sarandon, who at first disbelieves Bowie's claims, but is soon convinced when the young and handsomely androgynous man suddenly ages over the course of a few hours time into a decrepit ruin. Miriam, who has had countless lovers over the centuries, gives Bowie the heave-ho and turns her attention to lovely young Sarandon. But Sarandon, though initially easy to seduce (in an erotic lesbian scene) proves to have a will stronger than Miriam's, and Miriam's habit of keeping her collection of ex-lovers cadavers close at hand, proves to be a mistake. This is a strange film, almost as cold and dispassionate as one might well imagine a vampire to be. It seems to hold the viewer at arms length, not allowing them to experience the emotions of the characters...but the characters, for the most part, are severely lacking in emotion anyway, so the stark emptiness of the film becomes a brilliant mirror. Some vampire enthusiasts might find this boring and confusing, but it's a good effort and not a total loss. The three main characters are worth watching simply for their amazing beauty and grace. Tony Scott (brother of Ridley) has made a nice, if somewhat bizarre and chilling, work of art here and, like most works of art, it's up for interpretation.
For all the critics have to say, I must admit that this is one of my cult favorites. I keenly remember anticipating its release and seeing it at the 8th St. Playhouse theatre (where the weekly Rocky Horror movie/show ran for years in NYC). The mood and cinematography attest to its aspirations and for me are quite successful. In particular, the choice of soundtrack music is quite adept and urbane although only those very familiar with classical music will appreciate the tie-ins: Deneuve's playing of Ravel's "Gibet" from "Gaspard de la Nuit" for piano after John passes and after Sarandon's character makes her first kill...her husband. This piece is Ravel's programmatic interpretation of a French poem which describes a person wearily walking under the intense scorching sun and seeing something in the distance, approaches, only to find a corpse strung up, rotting in the midday sun. Beautiful usage of Schubert's Piano Trio as well as haunting movements of a Schubert piano sonata. Then there is the obvious thematic tie-in with "Lakme" by Delibes. (Lesbian love) And you've got to love the use of the band BAUHAUS in the opening sequence-with the lead singer singing "Bela Lugosi's Dead" in the suspended cage. Deneuve is absolutely ravishing and used to great effect and lovingly photographed. David Bowie does an exceptional turn as her lover. What I admire most is the movie's ability to paint a feeling and mood of their existence outside time, eternally present yet eternally on the fringe, startlingly beautiful yet shrouded, veiled, amorphous and ultimately predatorial. Finally, the thought that Deneuve's past lovers never die but are trapped eternally in a constantly decaying shell is absolutely frightening. Did I mention that Deneuve is sublimely beautiful?!