Watching my Mother dancing and singing to the songs of "The Sound of Music" at the age of five was incredibly disturbing. It was seven years before anyone was able to sit me down in front of the T.V to the musical during the annual telecast in Sydney. Almost to my horror, I was falling in love with the musical. More than two years later, not a single movie has been able to pass it in my favourite movies stakes. I have made judgemental mistakes with great movies. Greats like "Casablanca", "The African Queen" and "The Wizard of Oz" have originally also been frowned upon. "The Sound of Music" expanded my horizons on the movie world. I eventually went on to view non-musical classics as a result of this single movie, and now old classic movies have become a genuine passion. Rodgers and Hammerstein wrote their greatest work in the form of their last musical, despite the fact it was "Carousel" that was their favourite. Although the changes made from the original stage production have now been evident in the arrival of the excellent musical currently playing in Sydney, much have been for the better. Throughout their career, the duo created immortal musicals, but in story, song and film, "The Sound of Music" surpasses "The King and I", "Oklahoma!", "Carousel" and "South Pacific" in all aspects. We all know the story. We know of at least one of the immortal songs from the musical, "The Sound of Music", "My Favourite Things", "Do-Re-Mi" or "Edelweiss". Julie Andrews was believable and unforgettable as the sweet, outspoken novice nun turned governess, who should have taken out the oscar that year. Christopher Plummer was dashing as the Captain, and the supporting cast was one of the best I have ever seen. Fond memories have been remembered from some of the unforgettable sequences of this film that deservedly made it the best picture of 1965. Yes, there are sugary elements in the movie that cannot be denied. But this movie has never been reliant upon sex, violence or drugs to make it one of the best things to come out of Hollywood. It can be appreciated truly for what it is, pure art, talent and spirit. It is not a real perception of the world nowadays, but for all the joy it brings, who cares? It was the last movie I expected to love as a fourteen year old. It was also the first movie I watched in seven years that could manage to make me shed tears, and view it in loving admiration which cannot be equalled. "Singin' In the Rain" is the only other contender to the title of "The greatest movie ever made". Whatever its flaws, "The Sound of Music" is one of the worlds best loved treasures which keeps bringing generations of viewers to its attention. Rating: 10/10
The Sound of Music (1965) 1080p YIFY Movie
The Sound of Music (1965) 1080p
A woman leaves an Austrian convent to become a governess to the children of a Naval officer widower.
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The Synopsis for The Sound of Music (1965) 1080p
In 1930's Austria, a young woman named Maria is failing miserably in her attempts to become a nun. When the Navy captain Georg Von Trapp writes to the convent asking for a governess that can handle his seven mischievous children, Maria is given the job. The Captain's wife is dead, and he is often away, and runs the household as strictly as he does the ships he sails on. The children are unhappy and resentful of the governesses that their father keeps hiring, and have managed to run each of them off one by one. When Maria arrives, she is initially met with the same hostility, but her kindness, understanding, and sense of fun soon draws them to her and brings some much-needed joy into all their lives -- including the Captain's. Eventually he and Maria find themselves falling in love, even though Georg is already engaged to a Baroness and Maria is still a postulant. The romance makes them both start questioning the decisions they have made...
The Director and Players for The Sound of Music (1965) 1080p
The Reviews for The Sound of Music (1965) 1080p
My favourite movie of all time!Reviewed byMinty-5Vote: 10/10
"The Happiest sound in all the world"? Quite possibly and easily the most famous musical film in Hollywood history. Most of us grown-ups still love it but at the same time we're also tired of seeing it over and over again (maybe that's why it's not rerun on NBC every single year anymore). Julie Andrews takes her MARY POPPINS success and adds even more to it with her delightful rendition of the role that Mary Martin originated on the Broadway stage in 1959 and ran even farther with it than Martin ever could. In my opinion, and I don't think I'm alone here, Martin was too old for the part (she was in her mid to late 40s in the stage version and Andrews was 30 when the transition came to film came around--a perfect age). As for the rest of the cast, it is just as talented: Christopher Plummer in the role he will be forever remembered for (even though he hated the part) is an achingly true Cap. Von Trapp with those "hidden talents" making subtle appearances throughout the film until blatantly bursting out into the open in the film's closing scenes; Richard Haydn makes for a comical and yet sincere "Uncle" Max, Peggy Wood is a starchy yet compassionate Reverand Mother and Charmian Carr as Liesl stands out as our perrenial favorite of the seven children. The locales are breathtaking as well (esp. the opening scenes which is probably the most beautiful aerial shot in all of film history and the cunning floral designs of the public Austrian gardens during the DO-RE-MI sequence). So let's all keep watching this most cherished of all musical films each year and never forget it's universal sentiment: to 'climb ev'ry mountain, ford ev'ry stream, follow ev'ry rainbow till you find your dream'.
This film is a triumph in all departments. Every aspect, from the cinematography to the acting, the sets to the costumes, the music, choreography, script, is top notch. While the film is family friendly and has a sweet story, it is constantly amazing the way people attack it as saccharine and sugary. This can certainly be said of the stage show, but the movie version has been carefully produced to provide a more well-rounded vision. Ernest Lehman worked wonders with the underdeveloped and unremarkable dialogue of the play. He inserted so many moments of wit, humor, romance and poignancy that are nowhere in sight in the original. the art directors purposefully chose muted settings and colors. Each of the actors bent over backwards to provide a brilliant performance. Andrews is already down in history for the performance of a lifetime (and a voice to match), but Plummer is not to be forgotten. Not only is he regal and handsome, but his decision to play the Captain as a complex, sophisticated man with a sly dose of sarcasm was wonderful. His steely, stern persona is eventually melted down by the irrepressible Andrews to great effect. Every supporting performance is also delivered with the right amount of appeal, humor or menace as called for in the script. However, the one that takes the cake....that amazes each time, is the slinky, catty, toweringly glamorous Parker as Baroness Schraeder. Wisely, her songs were cut, further separating her from all the glee around her, so that she could whip out such zingers as "Why didn't you tell me....to bring along my harmonica?" or when she's told that Andrews may not make a great nun, "If you need anything, I'd be happy to help you." The character is given a much more polished and integral position in the film versus the stage and virtually every line of her dialogue (unlike in the play) is a howler. Though Wood was lovely in her role as the Mother Abbess, it was Parker who should have gotten an Oscar nod....and WON! Every expression, every syllable, every glance belies the decades of experience Parker gained as a leading lady during the 40's and 50's. Her clothes by Dorothy Jeakins are awe-inspiring. This type of film-making is GONE. The location photography, the simplicity of story and design, the sheer good-spiritedness of it all...they just can't do this anymore. Thankfully, there's this flawless gem to turn to when one just want to feel good. But saccharine? No..... Compare this to other beloved musicals with their garish colors and sugary story lines ("Seven Brides...", "Singin' in the Rain", "...Molly Brown", "The Music Man", to name just a few...) They are all highly enjoyable, but are hardly less sweet than this! Just one word.....Nazis!! Though virtually everyone knows the outcome, there is still genuine suspense at the climax of "The Sound of Music". The film has it all.