One of the many things that made Hitchcock such a great director is that he did not just stick to the same formula time after time; all of his best movies have their own unique feel and characteristics. "Vertigo" is particularly distinctive, both as a complex story filled with suspense, and as a fascinating study in psychological tension. While it lacks the humor of some of Hitchcock's other masterpieces, and sometimes moves rather slowly, it is unforgettable, and a great achievement by the director and his cast. If you have never seen it, you will enjoy it more if you do not know too much about the plot, although the actual story is somewhat secondary to the ways that the characters are tested and their weaknesses exposed by the various events. Hitchcock uses a complicated story, interesting characters, lavish visual detail, and deliberate pacing, plus a fine musical score by the incomparable Bernard Hermann, to produce a mysterious, almost unearthly, atmosphere. The tension rarely lets up, and the viewer is caught up completely in it, at times almost to the point of discomfort. It's the kind of film that repays careful attention, as almost every moment is filled with significant detail. There are also some great acting performances. Jimmy Stewart is outstanding in a role far different from his usual screen persona. He enables the viewer to sympathize completely with him, even as we cringe at many of his character's actions and decisions. Kim Novak is completely convincing in a difficult dual role, and the movie would not have been as compelling without her fine performance. The rest of the cast all have much smaller roles, but are all quite good too, especially Barbara Bel Geddes as Scottie's (Stewart's) old friend, who provides important insight into Scottie's character. "Vertigo" is a classic by any standard. It's a must-see that remains just as impressive with each viewing.
Vertigo (1958) 1080p YIFY Movie
Vertigo (1958) 1080p
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
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The Synopsis for Vertigo (1958) 1080p
John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine.
The Director and Players for Vertigo (1958) 1080p
The Reviews for Vertigo (1958) 1080p
Distinctive & Unforgettable MasterpieceReviewed bySnow LeopardVote: 5/10
Although it got at best mixed reviews when first released, Vertigo is now considered one of Alfred Hitchcock's classic films. A tribute to the players, the director, and the composer of that haunting musical score that will stay with you forever. The music is probably more important here than in most films, let alone most Hitchcock films. Because for most of the first half of the film and a great deal of the second half, it is without dialogue. In fact Kim Novak does not have a spoken line until about 48 minutes into the little more than 2 hour feature. She's under James Stewart's surveillance and the whole story of his growing obsession with her is told through his facial expressions and through Bernard Herrmann's music. Stewart is a cop retired on disability who is hired by an old college friend Tom Helmore to follow his wife. Helmore tells Stewart a tale about his wife falling under the spirit of her dead great grandmother who committed suicide. The wife he's following is played by Kim Novak. Novak in fact makes a suicide attempt and by jumping into San Francisco bay and Stewart jumps in and saves her. In a brief prologue the reason for Stewart's disability is told. While on the police force, he lost a man while pursuing the suspect in a rooftop chase. Another cop was killed trying to save Stewart who had slipped and was hanging on to a roof gutter for his dear life. After that Stewart acquired an understandable fear of heights with accompanying dizziness, vertigo. Later on at an old mission which has significance for Novak's family, Novak runs up to the top of the bell tower and Stewart because of his Vertigo can't pursue her to prevent her from jumping off and taking her life. Later on he spots Kim Novak again with a different color hair and this time essentially stalks her until they meet. By now he's totally obsessed with the dead Novak who he fell in love with. Alfred Hitchcock is plumbing some depths of the human psyche in Vertigo. Certainly good old all American Jimmy Stewart would not be one you would think of casting as a voyeur and a stalker. But he pulls off the performance in probably the film with the least dialogue Alfred Hitchcock ever made since sound came in. Kim Novak is hauntingly beautiful in Vertigo, she has to be or the whole plot would make no sense. Barbara Bel Geddes is in this also as Stewart's girl friend who finds herself losing him to an obsession with a ghost. She also serves as a sounding board for Stewart as he expresses some of his feelings to her. This was the first of two films Stewart and Novak made together. Ironically enough the second one, Bell Book and Candle, is about a witch played by Novak who actually uses witchcraft to ensnare Stewart. Given Stewart's obsession with Novak in Vertigo, if Hitchcock had thrown in witchcraft into the plot, the audience would certainly have believed it. Of course this is an Alfred Hitchcock film and therefore not all is as it seems. I can't sat any more, but there are no happy endings for anyone in this haunting film.
Starting in 1958, Alfred Hitchcock directed a remarkable sequence of films in a row, each of them a classic; Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963). Never has a director made four such genuinely great movies in such a short space of time, either before or since. The pick of this high standard bunch is undoubtedly Vertigo. From the opening titles, with their circling spiral imagery, to the dramatic final scene this is a movie that takes you to a different time and place. Specifically, to a San Francisco of the past; full of deserted parks, discrete rooming houses, oddly menacing art galleries and florists where the customers enter and exit through the back door. Through this landscape wanders Jimmy Stewart, towering in the lead roll as a former detective recently retired after a bungled arrest leaves him with chronic vertigo. Plot machinations lead him to the alluring Kim Novak (one of Hitchcock's famous "blondes"), the young wife of a friend who has started behaving rather oddly. "To reveal more," as Leonard Maltin wrote, "would be unthinkable." While the performances of Novak and Stewart are memorable, the movie is really set apart by the intelligent script and the stylistic touches provided by the director. Hitchcock is in his very best form creating hypnotic scenes and a general sense of unease and dread in even the most banal of situations. He is aided in this by the wonderful score of Bernard Herrman. A particular favourite of mine is the extended (largely silent) segment where Stewart follows Novak for the first time. Nothing much happens, but the atmosphere of these scenes is enough to keep you on the edge of your seat! One of the all-time greats. They definitely don't make them like this anymore.